To hell with the raggedy, time to put on a show!



His voice isn’t angry. It’s hollow, which is worse. Already the boy with the bread is slipping away from me. I take his hand, holding it tightly, preparing for the cameras, and dreading the moment when I finally have to let go.

His voice isn’t angry. It’s hollow, which is worse. Already the boy with the bread is slipping away from me. I take his hand, holding it tightly, preparing for the cameras, and dreading the moment when I finally have to let go.